Displaying items by tag: Steven Spielberg

We’ve got more new disc reviews for you to close out the week here at The Bits, including…

Stephen’s reviews of Rango Lam’s City on Fire (1987) and John Woo’s The Killer (1989) in 4K Ultra HD from Imprint.

Stuart’s thoughts on John Guillermin’s House of Cards (1968) on Blu-ray from Kino Lorber Studio Classics, the Spencer Tracy Collection on Blu-ray from the Warner Archive Collection—which includes Bad Day on Black Rock (1955), Fury (1936), Libeled Lady (1936), and Northwest Passage (1941)—and the Directed by David Lean: Volume II box set on Blu-ray from Imprint—which includes The Passionate Friends (1949), Madeleine (1950), The Sound Barrier (1952), Hobson’s Choice (1954), and Summertime (1955).

Tim’s look at Tobe Hooper’s Salem’s Lot (1979) in 4K Ultra HD from our friends at Arrow Video.

And Dennis’ take on Brian Levant’s Beethoven (1992) on Blu-ray from Kino Lorber Studio Classics.

More reviews are in the works for release here all next week, so be sure to keep checking back for them.

Now then… the first thing to be said today is that Phil Lord and Chris Miller’s Project Hail Mary (2026) is now available for pre-order on Amazon.com in Blu-ray, DVD, and 4K Ultra HD (click here for the link). This is an Amazon MGM Studios release. The street date isn’t yet official, but we believe it will be on or about 8/11. Look for the disc to include audio commentary with the directors, deleted scenes, and the Earth’s Favorite Eridian featurette. You can see the cover artwork above left. [Read on here...]

Morning, Bits readers! We’ve got some big release news for you today, which we’ll get to in just a moment. First though, we’ve got more new disc reviews for you, including…

Stephen’s thoughts on Dennis Dugan’s Happy Gilmore (1996) in 4K from Kino Lorber Studio Classics, George A. Romero’s The Dark Half (1993) in 4K from Vinegar Syndrome, and Lawrence Kasdan’s Silverado (1985) in 4K Steelbook from Sony Pictures Home Entertainment.

Stuart’s look at John Avildsen’s Save the Tiger (1973) and Edward Sedgwick’s Father Brown, Detective (1934) on Blu-ray from KL Studio Classics, and Michael Curtiz’s Bright Leaf (1950) on Blu-ray from the Warner Archive Collection.

Dennis’ take on Alain Guiraudie’s Misericordia (2024) on Blu-ray from Criterion’s Premieres line.

And finally, Tim’s look at Monk: Season Eight (2009) on Blu-ray from KL Studio Classics, along with Wong Jing’s (aka Wang Tsing) Mercenaries from Hong Kong (1982) from Arrow Video’s Shawscope: Volume Two Blu-ray box set.

And even more reviews are on the way for next week, so be sure to check back then!

All right, let’s get right to today’s big news, which we’re reporting here exclusively on The Digital Bits: Lionsgate will finally release Kevin Smith’s Dogma (1999) in 4K Ultra HD in December! [Read on here...]

We’ve got a mix of great new and catalog release news to share with you all today here at The Bits, right after we mention a trio of new disc reviews we’ve just shared. Today we have…

Dennis’ thoughts on Amanda and Michael Drexton’s Sour Party (2023) on Blu-ray from Anchor Bay Entertainment, as well as Clarence Brown’s Intruder in the Dust (1949) on Blu-ray from the Warner Archive Collection.

And Stuart’s thoughts on John Ford’s 7 Women (1966) on Blu-ray, also from the Warner Archive Collection.

Now then… let’s get right into the good stuff: Our friends at Paramount are finally going to be releasing Steven Spielberg’s Minority Report (2002) in 4K Ultra HD and 4K Steelbook format on 12/9 (SRP $30.00 and 36.99)! Look for the 4K disc to include Dolby Vision HDR and 5.1 DTS-HD Master Audio, plus all of the legacy special features on a Blu-ray bonus disc. You can see the cover artwork at left and also below the break. [Read on here...]

We’ve got three more new disc reviews for all of you to enjoy today, including…

Tim’s thoughts on Jess Franco’s The Castle of Fu Manchu (1969) in 4K Ultra HD from Blue Underground as well as David Schmoeller’s Crawlspace (1986) on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s take on Stephen Sayadian’s Café Flesh (1982) on Blu-ray from Mondo Macabro.

Before we get going today, it looks like we finally know what the next two Steven Spielberg films are that are going to be released in 4K Ultra HD: Multiple retail sources are reporting that both Minority Report (2002) and Catch Me If you Can (2002) are coming to the format before the end of the year from Paramount. Street date for each is TBA, but this isn’t entirely surprising—both films have been recently available Digitally in 4K. As more information comes in, we’ll be sure to let you know.

Speaking of Paramount, their long-delayed 4K Ultra HD Steelbook release of Karyn Kusama’s Æon Flux (2005) is finally set for 10/7.

Also, we have a street date for Christopher McQuarrie’s Mission: Impossible – The Final Reckoning (2025) on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook. Look for it to arrive on 10/14. [Read on here...]

We’ve got four new disc reviews for you to enjoy today, including…

Dennis’ look at Frank Wisbar’s Lighthouse (1947) on Blu-ray from Film Masters.

Stuart’s take on James Goldstone’s Swashbuckler (1976) on Blu-ray from Imprint Films.

And last but not least, Stephen’s in-depth thoughts on Clint Eastwood’s The Outlaw Josey Wales (1976) in both 4K Ultra HD and 4K Steelbook from Warner Bros. Discovery Home Entertainment.

More reviews are forthcoming, so be sure to stay tuned for them.

Also here at The Bits today, we’ve just updated our Release Dates & Artwork section with all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon.com pre-order links. As always, anytime you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at the site and we really appreciated it! [Read on here...]

We’ve got two more new disc reviews to share with you this afternoon, plus a bunch of exciting announcement news. But first as always, those reviews...

Stuart has taken a look at Bruce David Klein’s Liza: A Truly Terrific Absolutely True Story (2024) on Blu-ray from Atlas Media and Zeitgeist Films via Kino Lorber.

And Stephen has offered his thoughts on John Erick Dowdle’s As Above, So Below (2014) on limited edition Blu-ray from our friends down at Via Vision Entertainment.

Also today, we’ve posted the weekly update of our Release Dates & Artwork Section with all the latest Blu-ray, DVD, and 4K Ultra HD covers and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we really do appreciate it!

Now then... today is the day that many of your are finally going to get your hands on George P. Cosmatos’ Tombstone (1993) on 4K Ultra HD Steelbook from Sony Pictures Home Entertainment. We’ve reviewed the disc here as you know, and it’s fantastic. But don’t worry if you haven’t been able to order a copy yet—more product is being replicated as we speak and the title should come back in stock online soon. [Read on here...]

We’ve got a bunch of new disc reviews for you all to enjoy here at The Bits today, but first I wanted to let you know that Amazon.com is currently running a pretty great deal for 4K titles: You can buy 3 4K titles for just $33, which is a great way to fill holes in your collection. The selection of titles is pretty good too (lots of titles from Warner, Universal, and more), so click here to take advantage if you wish.

All right, today’s new disc reviews here at The Bits start with Stephen’s two cents on David Fincher’s Se7en (1996) on 4K Ultra HD from Warner Bros. Discovery Home Entertainment, Richard Attenborough’s A Bridge Too Far (1977) in 4K UHD from Imprint, and Woo-Ping Yuen’s In the Line of Duty IV (1989) on Blu-ray from 88 Films.

Stuart’s look at Marco Bellocchio’s Slap the Monster on Page One (1972) and Seijun Suzuki’s Tattooed Life (1965) on Blu-ray from Radiance Films, John Farrow’s California (1947) on Blu-ray from Kino Lorber Studio Classics, and Fernando Méndez’s El Vampiro: Two Bloodsucking Tales from Mexico Blu-ray box set from Powerhouse Films, which includes The Vampire (1957) and The Vampire’s Coffin (1958).

Dennis’ thoughts on Matthew Ryan Hoge’s The United States of Leland (2003) on Blu-ray from Imprint Films.

And finally, Tim’s take on Randall Lobb and Robert McCallum’s Power of Grayskull: The Definitive History of He-Man and the Masters of the Universe (2017) documentary on Blu-ray from Vinegar Syndrome, as well as Irving Klaw’s Teaserama (1955), Varietease (1954), and Buxom Beautease (1956) on Blu-ray from Kino Cult.

As always, lots more reviews are on the way in the coming days, so be sure to keep checking back.

Now then, in announcement news today, Warner Bros. Discovery Home Entertainment has revealed that they’re releasing Shane Black’s The Nice Guys (2016) and Shaka King’s Judas and the Black Messiah (2021) on 4K UHD on 2/18. [Read on here...]

All right, here are today’s new disc reviews...

Dennis has taken a look at Joel Schumacher’s 8MM (1999) on Blu-ray from Imprint Films.

Stuart has offered his take on Roberto Gavaldón’s Untouched (1954) on Blu-ray on Powerhouse Films’ Indicator label.

Tim has taken a look at Marcus Nispel’s remake of Friday the 13th (2009) in 4K Ultra HD from Arrow Video. He’s also turned in a review of Lucio Fulci’s Lizard in a Woman’s Skin (1971) on Blu-ray from Umbrella Entertainment.

And last, but certainly not least, Stephen has taken a deep dive into Toho’s Godzilla store-exclusive version of Takashi Yamazaki’s Godzilla Minus One (2023) in 4K Ultra HD!

Also here at The Bits today, we have a brand new update of our Release Dates & Artwork section, which is a convenient way to see all of the new Blu-ray, DVD, and 4K Ultra HD titles that street each week. You can see the cover art, and sort by date and format. And you can click on each of the titles to pre-order them on Amazon.

On that note, I wanted to take a moment to share a challenge we’ve been having of late, which is that our Amazon Affiliate revenue has been declining. For a long time now—for over a decade—our Affiliate revenue has been a big part of helping us to keep The Digital Bits going—to help us cover our server and operating costs. It’s how we’ve been able to keep The Bits free for everyone to read for over 27 years now. In recent months, however, that revenue has begun to decline. We understand that Amazon may not always be the cheapest option these days. So for those of you who still support The Bits by shopping with them through links (in the daily news column, in our disc reviews, in the 4K Ultra HD Release List, and in the Release Dates & Artwork section), we really appreciate it very much! [Read on here...]

To kick off a new week today, we have some interesting release news and a new disc review to share as well. Let’s get to the latter first...

Tim has offered his thoughts on Michele Soavi’s The Church (1989) in 4K Ultra HD from our friends at Severin Films.

More reviews are forthcoming this week, so be sure to stay tuned for them.

Also today here at The Bits, we’ve expanded our Patreon poll about Lionsgate 4K catalog Steelbooks to our Twitter/X page with just a day and a half left. The question is: Lionsgate Home Entertainment is developing a new line of 4K Ultra HD catalog Steelbooks, including many titles released previously as Best Buy exclusives, and they’d like your opinion: Would you prefer the covers to 1) feature newly-created custom artwork, or 2) the film’s original poster artwork? You can vote right now here on Patreon or here on Twitter/X and please take a moment to do so before the polls end on Wednesday. Thank you!

Now then, the big release news today is that Criterion has just announced its July 2024 slate of Blu-ray and 4K Ultra HD titles, and this batch has some real gems as well as a couple of surprises. [Read on here...]

Today’s post starts with three new disc reviews, including...

Stuart’s take on the Film Focus: George Peppard box set from Imprint, which includes John Guillermin’s P.J. (1968), George Schaefer’s Pendulum (1969), Sam Wanamaker’s The Executioner (1970), and Richard T. Heffron’s Newman’s Law (1974).

Dennis’ look at Val Guest’s Assignment K (1968), also new on Blu-ray from Imprint.

And finally, Stephen’s thoughts on Vincente Minnelli and Busby Berkeley’s Cabin in the Sky (1943) on Blu-ray from the Warner Archive Collection.

Note that we have lots more new disc reviews on the way, so be sure to watch for them. Also here at The Bits today, we’ve posted a significant update of our 4K Ultra HD Release List with lots of new 4K UHD titles and Amazon links.

And for our Patreon supporters, we’ve recently shared our thoughts on Ron Moore’s Battlestar Galactica and how well the series holds up some fifteen years after it ended its run on the Sci-Fi Channel, along with some preliminary commentary on changes that are brewing within the home entertainment industry, as well as Stephen’s thoughts on the ethics of film alteration and the challenges in determining how films should look on Blu-ray and especially 4K. Supporting The Bits on Patreon is a great way to help us continue our work in service of physical media, and we surely do appreciate it. [Read on here...]